Tom McCormack is midway through a three-part series on internet artwork, but not the kind involving Photoshop and GIFs. After exploring the history and usage of emoticons in part one of his series, McCormack traces the roots of ASCII artwork back to Guillaume Apollinaire’s 1918 book Calligrammes. Stay tuned for the conclusion soon: a look at the history of emoji.
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
“Why on earth would you start a literary magazine?” In an essay for The New Yorker Stephen Burt offers a wide variety of answers, from promoting a new genre to promoting one’s friends. His article pairs well with our own Nick Ripatrazone‘s lit mag question and answer: “What is the wider cultural influence of literary magazines? I am not sure there needs to be one.”
“The Boardwalk’s kitsch, the kitsch of Trump’s former properties along the Boardwalk, merely reinforce how retro a mogul the candidate is: a throwback who doesn’t care he’s a throwback, who’s barely aware he is, dressed to impress in a padded Brioni suit and a tie with a scrotum-sized knot.” Novelist Joshua Cohen takes one last trip (maybe?) to the Atlantic City of his youth for n+1. Related: Turns out Cohen’s not the only novelist who’s worked as a casino dealer.
New this week: The Dying Grass by William T. Vollmann; Kitchens of the Great Midwest by J. Ryan Stradal; Gonzo Girl by Cheryl Della Pietra; How to Be a Grown-Up by Emma McLaughlin and Nicola Kraus; Crooked Heart by Lissa Evans; and The Night Stages by Jane Urquhart. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.