Rita J. King investigates the ways storytelling is being influenced by Twitter. Indeed, she writes that “every five days, a billion tiny stories are generated by people around the world … [and] the tweets are being archived by the Library of Congress as part of the organization’s mission to tell the story of America.”
Storytelling in the Age of Twitter
Visible Man
Want to reverse a book ban? Start giving away free copies of the novel at your bookstore. Earlier this week, we reported that Ralph Ellison’s Invisible Man was taken out of the Randolph County, NC school curriculum. But less than week later, the ban has already been lifted due to intense community backlash and a local bookstore undermining the decision. Board member Matthew Lambeth said, “I felt like I came to a conclusion too quickly.”
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Boy Meets World, Boy Meets Girl
In a perfect mix of high and low art, Samuel L. Jackson performed a slam poem about Boy Meets World on The Tonight Show. “Daughter of hippies/Name of a gypsy/’Topanga,’ Corey cries.”
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iShakespeare
Got a smartphone? Check out the new Sonnets by William Shakespeare app to receive 154 poems, scholarly annotations and criticism, as well as special sonnet performances from such notables as Sir Patrick Stewart. Revisiting The Bard of Avon’s verse will prove so pleasurable; you’ll probably forget altogether that he was a self-plagiarist way before Jonah Lehrer.
Not a Chore
One of the more persnickety questions a writer has to deal with is how to capitalize the title of a piece correctly. Thankfully, there’s now a website that does it for you, based on the rules in the Chicago Manual of Style.
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“The Specter of the Confessional”
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
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