How does copyright work in space? Everyone’s favorite Canadian astronaut Chris Hadfield learned the hard way.
Space Oddity
Bard-yoncé
Beyoncé collaborated with Forrest Gander, a finalist for the Pulitzer Prize in 2012, to write a poem called “Bey the Light.” You can read that over here. (Bonus: This isn’t the first time Queen B has teamed up with a prominent writer.)
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The Millennial Resurgence of Eve Babitz
For Buzzfeed Rachel Vorona Cote explores Eve Babitz and the white literary It Girl. “Readers, particularly literary women in their twenties and thirties, seem to be entranced by this child of Hollywood, who unabashedly relished her LA milieu and both chronicled and defended its paradoxes. But it’s still a milieu that flattens the city into one that is homogenous, wealthy, and white.” Pair with this essay about her novel Sex and Rage.
Goodbye to King of the Blurbs
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.
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Seems About Right
“Post-truth” has been named word of the year by the Oxford Dictionaries, reports The Guardian. Considered an adjective, its definition is “relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.” The Dictionaries report its first use in 1992 by the late Serbian-American playwright Steve Tesich in relation to Iran-Contra and the first Gulf War. And we thought Colbert’s “truthiness” was funny.
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Language, the Savior
At The Guardian, Jhumpa Lahiri recounts the path that led her to write her latest book in Italian, one of the most anticipated books of 2016. As she puts it, “A week after arriving [in Rome], I open my diary to describe our misadventures and I do something strange, unexpected. I write my diary in Italian. I do it almost automatically, spontaneously. I do it because when I take the pen in my hand I no longer hear English in my brain. During this period when everything confuses me, everything unsettles me, I change the language I write in.”
Interview With Charles McNair
Over at Bloom today, a lively Q&A with Charles McNair, whose Pickett’s Charge was the subject of Kevin Hartnett’s recent review here. In particular, McNair takes us through the harrowing blow by blow of his road to publication, the “sophomore jinx story” from a Pulitzer Prize-nominated author.
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Conversations and Connections
Conversations and Connections is a Philadelphia conference offering editors, writers and publishers a chance to meet one another in a “comfortable, congenial environment.” The full day’s events are organized by Barrelhouse, and this year’s keynote speaker is The Odds author Stewart O’Nan.