Sean Manning boldly declares Vegas: A Memoir of a Dark Season — John Gregory Dunne’s first novel — to be “the best book about Sin City ever written.” And yes, he knows what you’re thinking. He really does think it’s better than Fear and Loathing in Las Vegas.
“Poe’s verses illustrate an intense faculty for technical and abstract beauty, with the rhyming art to excess, an incorrigible propensity toward nocturnal themes, a demoniac undertone behind every page—and, by final judgment, probably belong among the electric lights of imaginative literature, brilliant and dazzling, but with no heat.” – Walt Whitman on Edgar Allan Poe’s significance, circa 1880.
Out this week: The Book of Joan by Lidia Yuknavitch; Imagine Wanting Only This by Kristen Radtke; A Line Made by Walking by Sara Baume; The Woman Who Had Two Navels and Tales of the Tropical Gothic by Nick Joaquin; and My Cat Yugoslavia by Pajtim Statovci. For more on these and other new titles, go read our most recent book preview.
Want to be published by Penguin? For $99 (£60), you can! As stated in this Guardian article, “Penguin USA will provide the service through its genre-fiction online community, Book Country, which launched in May offering wannabe authors the opportunity to post their work online and receive feedback.” The news comes on the heels of Amazon’s announcement that Amanda Hocking has become the second self-published author to tally 1,000,000 Kindle sales.
We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”