“I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences,” says James Salter in his interview with Jonathan Lee. “It’s flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself.” As it happens, our own Sonya Chung reviewed Salter’s latest book this week, and she, too, remarked on Salter’s desire “to ‘get past the great writer-of-sentences thing,’ and presumably the ‘writers’ writer’ thing.”
#SalterProblems
100 Plays for the First (Trump) Hundred Days
Suzan-Lori Parks wrote a play every day during Trump’s first 100 days as president which will be published next year as 100 Plays for the First Hundred Days. She talks to American Theatre about why she decided to undertake such a project, how difficult the process was and the importance of showing up and being present. Includes excerpts from the book.
Toni Morrison and Junot Díaz in Conversation
Recommended Viewing: Toni Morrison spoke with Junot Díaz at the New York Public Library last week, and the organizers were good enough to record the entire conversation and put it online. The talk begins at the 40:09 mark, so you can either fast forward or click this link right here.
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As American as Borscht
Nabokov once described himself “as American as April in Arizona,” which is an odd thing to call yourself when you’re a lepidopterist Russian expat. In Nabokov in America, Robert Roper explores why Nabokov felt he was so American, and how his journey to that identity influenced his writing of Lolita. At The Literary Review, Ian Sansom reviews Roper’s book.
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Nominating the Wrong Book
Well, this is awkward. When the National Book Foundation announced its nominees last week for the Young People’s Literature category of the National Book Awards, they accidentally picked a book called Shine by Lauren Myracle when they really meant to pick Franny Billingsley’s Chime.
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Roald Dahl and the Hilariously Bad Grades
A newly released Roald Dahl collection, The Missing Golden Ticket and Other Splendiferous Secrets, includes a secret ending to Charlie and the Chocolate Factory and excerpts from the author’s hilariously bad report cards. Wrote one teacher about Dahl in 1931: “A persistent muddler. Vocabulary negligible, sentences malconstructed. He reminds me of a camel.” (via Galley Cat)