“I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences,” says James Salter in his interview with Jonathan Lee. “It’s flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself.” As it happens, our own Sonya Chung reviewed Salter’s latest book this week, and she, too, remarked on Salter’s desire “to ‘get past the great writer-of-sentences thing,’ and presumably the ‘writers’ writer’ thing.”
#SalterProblems
Sweet Enough to Eat
Time is running out! If you’re still dragging your feet on a Valentine’s card for your significant other, go check out these hilarious monstress valentines from Madeline Gobbo at The Toast. Her “Valentines for the Indifferent” from last year can still work, too.
Tuesday New Releases
Among the books hitting shelves this week are Pulitzer winner and New Yorker staffer Louis Menand’s The Marketplace of Ideas: Reform and Resistance in the American University and memoirist and poet Nick Flynn’s The Ticking is the Bomb. Also new, Melville House is putting out a novella, Union Jack, by Nobel laureate Imre Kertész, and NYRB Classics has published Fortunes of War: The Balkan Trilogy a novel by Olivia Manning based on her time in Eastern Europe during World War II. Rachel Cusk provides an introduction to the edition.
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Two New Leslie Jamison Books on the Way
Leslie Jamison, whose collection Empathy Exams was widely praised on The Millions, has earned a two-book “mega” deal with Little, Brown. The new deal promises to deliver another essay collection entitled Ghost Essays, as well as a work of “narrative nonfiction” entitled Archive Lush. (Bonus: We interviewed Jamison for the site last May.)
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Kristof on the Value of Teachers
At the New York Times, Nicholas Kristof highlights a study finding that a classroom of students of a strong fourth-grade teacher will collectively earn $700,000 more over their lifetimes than those taught by a weak teacher.
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Family Language
Our own Bruna Dantas Lobato reflects on her position living between languages. “I learned English out of necessity and that comes with its own problems—aesthetic and political ones. With childhood in one language and a writing life in the other, I’m standing both inside and outside my mother tongue and my stepmother tongue.” Pair with a piece on the important role of translators in literature.
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Genç On Teoman
Kaya Genç, who’s previously written for us about Orhan Pamuk, has a new article out in Guernica about deceased filmmaker Seyfi Teoman, “whose two feature films,” he writes, “drove Turkish film for two decades.”