“I suppose the truth is I became a little self-conscious about people telling me how much they loved my sentences,” says James Salter in his interview with Jonathan Lee. “It’s flattering, but it seemed to me that this love of sentences was in some sense getting in the way of the book itself.” As it happens, our own Sonya Chung reviewed Salter’s latest book this week, and she, too, remarked on Salter’s desire “to ‘get past the great writer-of-sentences thing,’ and presumably the ‘writers’ writer’ thing.”
“I’m sure the ghost is fascinated by the N.Y.C. vs. M.F.A. debate, and would add that there’s a literary-world bias… toward writing done by the living.” The New Yorker interviews Rebecca Curtis about ghost stories and her latest piece of short fiction, “The Pink House.” For more about Curtis, check out our review of her debut collection Twenty Grand: And Other Tales of Love and Money.
“For American readers, literary evocations of Korea have come, for the most part, in the form of dystopian novels written by people without any direct connection to the country.” Ed Park on reading Dalkey Archive Press’s series Library of Korean Literature, launched in collaboration with the Literature Translation Institute of Korea.
Sarah Pitre reviews Meg Wolitzer‘s first YA novel, Belzhar, for Kirkus Reviews, and while we were already looking forward to the novel, now we’re doubly interested.
In the wake of her 2016 Presidential loss, Hillary Clinton’s best-selling book What Happened sparked the question: “Would you rather be president of the United States or a No. 1 best-selling author?” The Washington Post asked several authors including Cheryl Strayed, Erik Larson, and Joyce Carol Oates for their thoughts. See also our interview with Strayed from our archives.