Pop Chart Lab’s latest creation depicts some of the most famous cocktail-and-character pairings in literature and film. The gamut runs from Daisy Buchanan’s Mint Julep to The Dude’s White Russian. (Of course, the Preakness Stakes are this weekend, so really you should be drinking Black Eyed Susans.)
At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”
In addition to its overt references to Robert Chambers’s The King in Yellow, HBO’s breakout hit, True Detective, seems also to draw from the work of a self-published poet named Dennis McHale. Or is it the other way around? (Bonus: Lincoln Michel drew up a reading list of southern gothic books similar in tone to the HBO series.)
“The magical aspect of poetry does not diminish the value of critical scrutiny. Scholarship has clarified the meaning of poetry. The point is rather that an essential part of poetry’s power has little connection to conceptual understanding. Poetry proffers some mysteries that lie beyond paraphrase.” Dana Gioia with a beautiful essay on the enchantment of poetry for The Dark Horse. Check out our extensive On Poetry archive and continue your journey of poetic enchantment.
From Flavorwire: in 1970 William S. Burroughs teamed up with British cartoonist and painter Malcolm McNeill to “put together what they called a ‘Word/Image novel’ (the term ‘graphic novel’ had not yet been popularized) and shopped it to publishers. After seven years of trying to sell the new genre, Burroughs and McNeill gave up. Next year the work will finally see the light of day.”