Pop Chart Lab’s latest creation depicts some of the most famous cocktail-and-character pairings in literature and film. The gamut runs from Daisy Buchanan’s Mint Julep to The Dude’s White Russian. (Of course, the Preakness Stakes are this weekend, so really you should be drinking Black Eyed Susans.)
Raise a Glass to That
A Stop-Motion Valentine
A little stop-motion film qua valentine that might appeal to V-day nonbelievers.
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Extras
Zadie Smith’s On Beauty takes home the Orange Prize.Map of the New Yorker caption contest winners. (via emdashes)Abebooks has put together some special pages celebrating its 10th anniversary. Check out Powers of 10 – which includes the list of most expensive books ever sold on the site – and the timeline, which shows what the site looked like at its humble beginnings. (thanks Laurie.)
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You Are Not the Reader
Whether it’s the new compound word “babymommas,” the Mortal Kombat reference, or the phrase “skeedaddle face smash,” I feel compelled to recommend to you this story in PANK, which takes the form of several letters addressed to Maury Povich.
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Seeking an End to eBook DRM
Joe Wikert explains why the book industry needs to learn from the music industry, drop DRM, and adopt a unified ebook format.
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Wednesday Links
As has been much noted elsewhere, the Wall Street Journal landed reclusive Calvin and Hobbes creator Bill Watterson to review a recent bio of Peanuts creator Charles Schulz. New York explains how the review was arranged. Meanwhile, the New Yorker has John Updike reviewing the book.BLDGBLOG articulates why I love LA so much (and why it is quite possibly the greatest city in the country). For some of my own thoughts on LA, harken back into the deepest archives.Since almost the minute I finished An Army at Dawn, the first installment of Rick Atkinson’s three-part look at the liberation of Europe during World War II, I have been pining for the second book. And now I have it. The Day of Battle covers the war in Sicily and Italy and I will be reading it presently. (It was An Army at Dawn that inspired our lists of World War II fiction and nonfiction.)My alma mater is showing Google Books some love.
Backhanded
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
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