Post-Madeline

The Silent History is being billed as a “new kind of novel.” Readers download a free app for their iOS devices and, over a period of six months, the app will deliver brief, serialized installments of an “exploratory novel.” Certain features of the story depend on your geographic location, and readers also have the opportunity to contribute their own features. For a full primer, as well as interview with Eli Horowitz, one of the “key figures” behind the idea, head over to VQR’s website.

“Lovecraft Country doesn’t just race along, it tears, demanding that you keep turning its pages without interruption. I read the second half of the book while walking in my neighborhood, holding the book with one hand and clutching bags of groceries in the other, and then finishing up in bed with a small LED lamp after my wife had fallen asleep. It’s one of those books.” Cory Doctorow reviews Matt Ruff’s Lovecraft Country at BoingBoing.

There’s an excerpt of Rosecrans Baldwin’s new memoir in GQ.  Paris, I Love You but You’re Bringing Me Down comes out next week!

It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.

In Preparation for the Next Life, Atticus Lish showcased his ability to write brutal, unforgiving stories in terse, economical prose. This new short story from Granta is no different (and no less beautiful).