After a period of uncertainty, Baltimore’s Edgar Allan Poe House is finally scheduled for reopening. To celebrate the victory, check out Édouard Manet’s illustrations for the French edition of “The Raven.”
Poe’s Back
A Soviet Gollum
This week in beautiful books: Eugène Delacroix once illustrated Goethe’s Faust, and Goethe himself claimed the resulting lithographs “surpassed my own vision.” A full version of the work is now available online. And in a slightly more light-hearted vein, English Russia has found and scanned a delightful Soviet version of The Hobbit, complete with a Gollum straight out of Dr. Seuss.
“The only option is to participate.”
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
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John Jeremiah Sullivan on Essays
December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss “the art of the essay in light of Sullivan’s new book, Pulphead.”
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Christopher Beha On Pop Theology
Recommended listening: Christopher Beha, whose latest novel Arts & Entertainments we recently reviewed, talks with On Pop Theology about his new book, Catholicism, What Happened to Sophie Wilder? and The Bachelorette.
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Old Jews Telling Jokes Are Back!
The hysterical website Old Jews Telling Jokes has been revived from its year-long hibernation, and two of its newest gems are worth viewing: “A Stutter” and “Three German Shepherds.” Meanwhile, the show’s Off-Broadway adaptation is scheduled to open May 20th, and its producer has a great write-up about how the show’s evolved.
Poetical Territory
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
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