After a period of uncertainty, Baltimore’s Edgar Allan Poe House is finally scheduled for reopening. To celebrate the victory, check out Édouard Manet’s illustrations for the French edition of “The Raven.”
Over at The New Inquiry, Alison Kinney writes on narrative opportunity, the true function of the literary orphan, and the rage of the real orphan. This moving piece by Matthew Salesses for The Millions on adoption and searching for oneself in a strange place is a nice complement.
Earlier this month, Ta-Nahisi Coates published a conversation-changing long form article on race and reparations in The Atlantic (we covered other pundits' responses here). Now, he is blogging a brief bibliography of the sources he consulted while writing that seminal essay. Parts one and two are available now, with two more installments planned for today and tomorrow. Whether or not you agree with Coates, it's a fantastic reading list on race relations in America.
Hazel Grace has a family now. True Blood's Sam Trammell will play Hazel's dad in the film adaptation of John Green's The Fault in Our Stars. Last month, our own Nick Moran reported that Laura Dern joined the cast as Hazel's mom. With the Lancaster family complete, filming will start in Pittsburgh at the end of this month. If you still haven't read the book yet, let our own Janet Potter convince you.
Recommended Reading: These fifteen short texts in search of Hilla Becher, photographer and life/artistic partner of Bernd Becher: "One of the creations of her and Bernd’s artistic partnership was the seemingly perfect fusion of their visions. 'No, there is no division of labor,' they told an interviewer in 1989, in a conversation that pointedly doesn’t designate which of them is speaking. 'Outsiders cannot tell who has taken a particular photo and we also often forget ourselves. It simply is not important.'"
The film adaptation of Macbeth being helmed by Snowtown Murders director Justin Kurzel will star Michael Fassbender and Marion Cotillard, reports Vulture. The movie will feature “Shakespeare’s original linguistic stylings” as well as “a visceral approach to the story including significant battle scenes,” and it is set to begin production this year.