This summer, the Guthrie Theater in Minneapolis will put on a stage production of Jane Austen’s Pride and Prejudice. As they always say: it’s all fun and games until you cast Vincent Kartheiser as Mr. Darcy.
The Cambridge University Press just published The Letters of Samuel Beckett, Vol. 2. (Vol. 1 can be found here.) That alone is worth your time, but as an added bonus the Press’ blog has compiled a partial syllabus for the author — a sampling of the titles “on the writer’s nightstand … from 1941 to 1956.”
“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”
The New York Times dives into why prisons fear the New Jim Crow certain states have gone to great efforts to allow their prisons to ban it and in other states it’s fairly difficult to obtain if you’re a prisoner. We’re big fans of the New Jim Crow here; it was a Millions staff pick and extremely popular on Year in Reading lists back in 2013.
The world isn’t exactly wanting for character studies of Captain Ahab, but Chris Power manages to come up with a novel analysis of the character in this essay about the Moby-Dick antagonist. In Power’s telling, Ahab was valuable in part for what he told us about the 20th century — namely, he foreshadowed the dictators and despots to come. You could also read Hester Blum’s contribution to this essay about the best American novels.
“There is no divorcing the lack of diversity in the outdoors from a history of violence against the black body, systemic racism, and income inequality,” writes Rahawa Haile in her description of hiking the full length of the Appalachian Trail. Along the way, Haile documented her journey and the books she carried — books written by black authors. In a debrief interview, she explains her motivation: “I want[ed] to bring these books places no one likely has. I want[ed] to document where black brilliance belongs.”