Why do we strain ourselves to apply scientific methods to the humanities, when the results of such studies always miss the point, asks Maria Konnikova. For those looking to do some field research on the fruits of the growing digital humanities movement before condemning them, the latest issue of the Journal of Digital Humanities is packed with interesting (and chart-filled) reads.
Did you know that a new Jonathan Safran Foer book is coming out this week? We didn’t until we saw a mention of it at Kottke. More surprising is the form of the book itself. Foer has created a new work called Tree of Codes by cutting out sections of one of his favorite books, The Street of Crocodiles by Bruno Shulz. The die-cut, Kindle-proof volume is the first major title by London-based Visual Editions. Vanity Fair has more.
This September, OR Books will publish Tales of Two Cities, an anthology of short fiction focused on economic inequality in New York City. Among its contributors are some familiar names: Junot Díaz, Lydia Davis, Dave Eggers, Colum McCann, Téa Obreht, Zadie Smith, and Teju Cole. The volume will also be illustrated by Molly Crabapple, whose Occupy Wall Street portraits earned critical acclaim in 2012.
A few weeks ago, Meghan Daum released an essay collection, The Unspeakable, which our own Hannah Gersen described as “unputdownable” in her Millions review. At Slate, Katy Waldman offers her own praise, writing that “these essays do what essays often set out to do: trace the outlines of a self.”