Authors, are you struggling to get your book’s characters together? Are they lacking a little spark, a little intimacy? Well, have no fear. The folks at Open Road Media put together a video with Erica Jong, Lawrence Block, Patricia Gaffney, and a few more authors on The Art of Writing Sex Scenes. This should do the trick.
"If you would write, try to be terse and in some measure original—the world abounds with new similes and metaphors... If you cannot tell people of something they have not seen, or have not thought, it is hardly worthwhile to write at all." The Paris Review shares writing advice from a 21-year-old D.H. Lawrence .
Sergeant Ed Drew's tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. "I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with," he said.
Expats of all stripes have trouble defining the word “home,” which is true even when the expat is someone like James Wood, who left England for America in the ‘90s and set up a life for himself in Massachusetts. In the LRB, he describes the odd pain of emigration, lamenting that his "English reality" has faded into memory. (You could also read Charles Finch on trying to live up to Wood’s standards.)
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.