In the latest Baffler, Evgeny Morozov argues that Silicon Valley, in typical fashion, has taken to “hacking” our language. Old, trusted words don’t mean what they used to mean, and complex ideas have been stripped of subversive implications. “Complexity,” he writes, “is not particularly viral.”
On “Buzzwordophilia”
The Best of Last (Crusade)
I’m shocked that this is even open to debate. Emily Asher-Perrin on why Indiana Jones and the Last Crusade is the best of all Indy films.
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Min Jin Lee and the Stories That Paved Her Path
Min Jin Lee looks back on the literature she grew up with and how it allowed her to see her own path to becoming a writer.
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A dimension of mind
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.
The Adventures of Getting Rich Quick
“[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet.” The New Yorker writes about the humor writer’s many failed attempts to get very rich. From our archives: Twain and the Wild West.
Gah!
Despite your lifelong aversion to robots and crash-test dummies, the Uncanny Valley might not actually be real. At Boing Boing, Maggie Koerth-Baker looks at the evidence that unsettling dolls are just that, unsettling.
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Amazon’s First-Half Top 10
Amazon has named its Best Books of 2010… So Far (that’s January through June).
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