In the latest Baffler, Evgeny Morozov argues that Silicon Valley, in typical fashion, has taken to “hacking” our language. Old, trusted words don’t mean what they used to mean, and complex ideas have been stripped of subversive implications. “Complexity,” he writes, “is not particularly viral.”
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.
“[Mark] Twain wasn’t above the contrivances of capitalism, even as he skewered them. . . From nonage to dotage, in dire straits or in the pink, he was always a capricious entrepreneur, counting the zeroes on an imaginary balance sheet.” The New Yorker writes about the humor writer’s many failed attempts to get very rich. From our archives: Twain and the Wild West.