What makes an idea too odd to sustain a children’s book? The answer: characteristics that make it, as Steven Heller explains, “so high concept or clever [it’s] deemed difficult for a child to enjoy.”
Stanford “will rerelease a collection of Arthur Conan Doyle’s tales of Sherlock Holmes, just as they were originally printed and illustrated in The Strand Magazine.”Maciej Ceglowski suggests that Milan Kundera “is the Dave Matthews of Slavic letters, a talented hack, certainly a hack who’s paid his dues, but a hack nonetheless.” And offers up a number of Eastern European books that young lovers might give to one another instead of The Unbearable Lightness of Being.Google Print has been renamed Google Book Search. “Why the change? Well, one factor was all the comments we got about how excited people were that Google Print would help them print out their documents, or web pages they visit — which of course it won’t.”
Emily Harnett writes about Elena Ferrante’s bad book covers and how it embraces “women’s fiction” as a genre. As she puts it, “In a literary marketplace where the very image of a woman is seen as antithetical to literature, Ferrante’s covers take an important stand.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
“In the imposed rhythm of the day, there wasn’t the time to step back and appraise my ideas, to delete paragraphs, to question my identity. Whether or not I was a writer was temporarily immaterial, because I was writing.” Adam Dalva contemplates life at an artists’ residency. For more of his writing, check out his essay on Donna Tartt’s The Goldfinch for The Millions.