Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.
Masha Gessen Signs on to Write Tsarnaev Book
Thanks for Nothing, Dickens
Want to publish anonymously (and then stay that way)? Be thankful you're not friends with Charles Dickens.
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Bio Unbound
At Salon, Cornel Bonca reviews Roth Unbound, a new “hybrid” biography of Roth that New Yorker staff writer Claudia Roth Pierpont wrote after months of interviews. Although the book glosses over Roth’s personal flaws, it gives a great overview of his work, Bonca writes.
Tuesday New Releases – Dan Brown Edition
Booksellers across the country have loaded up dollies with towers of boxes and carted them to the front of the store. Amazon has broken into its super-secret, double-locked, chain-link fence. Dan Brown's The Lost Symbol is here. Understandably, other publishers have ceded this Tuesday almost entirely to the Dan Brown hype machine, but those looking for something (very) different can today find Joyce Carol Oates doing the zombie thing (not really) and the latest from Tao Lin.
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On Broken and Repaired Circuits
Another year, another year of Full Stop Features, and Peter Nowogrodzki is starting things off with a bang. In a thorough and engaging review, Nowogrodzki dives into Tan Lin's miniature book The Patio and the Index.
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“A woman’s frantic laughter.”
Recommended Reading: Rion Amilcar Scott’s “Women Who Run With Wolves,” which is a very short but potent piece in the latest issue of Fractured West.
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The Fishermen: The Play
A Nottingham-based theatre company will adapt Millions staffer Chigozie Obioma's Man Booker-shortlisted novel The Fishermen for the stage. The production is scheduled for next year.
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Writer-Collector
"I do not find it unusual that many writers I know acquire vintage clothes, buy old homes, and rescue animals. For one, we don’t have Wall Street salaries, and secondly, we’re suckers for backstory, particularly that which is left to the imagination. Our job, after all, is to make up lives, engage in epic games of pretend." Megan Mayhew Bergman writes for Ploughshares about collecting cast-off objects, "the chaos of memories," and becoming a writer. Pair with David L. Ulin's reflection on Bergman's essay and the way we think about memory, written for the LA Times.
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