Masha Gessen will be the first writer to publish a book about the Boston Marathon bombing suspects, Tamerlan and Dzhokhar Tsarnaev. Previously the author demonstrated her knowledge of Chechnya in her 2012 book The Man Without a Face. Gessen, who is also working on a book about embattled punk group Pussy Riot, will reportedly leave her directorship at Moscow Radio Liberty in order to report on both projects full time.
You might have heard that a new Shirley Jackson book appeared on shelves this week. A collection of previously unpublished work, Let Me Tell You was published by Penguin Random House, which happens to be the place where Benjamin Dreyer, a lifelong Shirley Jackson fan, works as a copy chief and managing editor. At The Toast, he describes how it felt to edit his favorite writer.
In more “Dylan at 70” news, the knowledgeable Ed Ward reviews the compilation How Many Roads: Black America Sings Bob Dylan for The Oxford American. (Editor’s Note: The omission from this album of Nina Simone‘s “Just Like Tom Thumb’s Blues” and Ben E. King‘s “Lay Lady Lay” are both unconscionable.)
The Guardian has a beautiful multimedia feature in celebration of John le Carré‘s new memoir, The Pigeon Tunnel, including an exclusive excerpt, original notes from the author’s archives, and readings of his novels by Rachel Weisz, Tom Hiddleston, Damien Lewis et al. Read also: our own Emily St. John Mandel on using le Carré for literary cover.
If you haven’t been following The Morning News Tournament of Books, now is the time to catch up. There’s been ample drama and the always insightful commentary from the booth. The finalists are set – Wolf Hall and The Lacuna – and the champion will be revealed on Monday.
At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”
“If you remember the sixties, then you weren’t really there.” We’ve all heard the saying, but in case you actually forgot what the sixties were like, I have good news for you. The complete archive of Oz Magazine, sometimes called the most controversial magazine of the sixties, is available for download over at Open Culture. Oz regularly featured work by such artists as R. Crumb, Germaine Greer, and many more.