The Longreads team has teamed up with Syracuse assistant professor Aileen Gallagher in order to “search for and share outstanding student work.” If you’ve read (or written) something fantastic this past school year, they encourage you to tag it #college #longreads on Twitter or Tumblr.
Fifty years after T.S. Eliot’s death, the poet’s estate has finally agreed to authorize a biography, which explains the publication of Young Eliot, a new book on his early years. Among other things, the book reveals details about Eliot’s first marriage, in which his wife Vivienne Haigh-Wood gave him the nickname “dearest Wonkypenky.”
The 2010 National Book Awards were announced this evening. In fiction, Jaimy Gordon won for The Lord of Misrule; in nonfiction, Patti Smith won for Just Kids; in poetry, Terrance Hayes won for Lighthead; and for young people's literature, Kathryn Erskine won for Mockingbird.
"Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them." Lidia Yuknavitch, who recently published an essay, "There is No Map for Grief," in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
"Officials in charge of an Australian writers festival were so upset with the address by their keynote speaker, the American novelist Lionel Shriver, that they censored her on the festival website and publicly disavowed her remarks." Dang. (We agree, it was pretty bad – she wore a sombrero for most of her speech.) Writers' conferences: They're intense.
Out this week: The Twelve Lives of Samuel Hawley by Hannah Tinti; Compass by Mathias Enard; The Women in the Castle by Jessica Shattuck; Simulacra by Airea D. Matthews; and the Later Essays of Susan Sontag. For more on these and other new titles, go read our most recent book preview.
As part of the ongoing Miami Book Fair International festivities, WLRN is giving readers a chance to co-author a story with Junot Díaz. Beginning at 5pm today, they will tweet out the first line to a story—provided by Díaz—from their Twitter account. Then readers will use the hashtag “#WLRNStory” to add onto Díaz’s line, and later each other’s lines, and ultimately the entire thing will unfurl before them.