One John Williams is sitting atop the bestsellers list in The Netherlands following the multi-week (and quite unexpected) success of Stoner. Meanwhile a different John Williams is set to compose music in a galaxy far, far away.
“We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. … [so] there must be techniques and tools that everyone can use or try, even if we use them differently.” Tim Parks explains how he reads for The New York Review of Books.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.
For close to two decades now, the Rona Jaffe Foundation has honored “women writers of exceptional talent in the early stages of their careers” with annual Writers’ Awards worth $30,000 each. This year, the winners are Tiffany Briere (fiction/nonfiction); Ashlee Crews (fiction); Kristen Dombek (nonfiction); Margaree Little (poetry); Kirsten Valdez Quade (fiction); and Jill Sisson Quinn (nonfiction). The winners accepted their awards in a private ceremony on the 19th.
“So much of the way books get classified has to do with marketing decisions. I think it’s more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me.” Talking with Karen Russell.