“The Mariko Aoki phenomenon is a phenomenon consisting of the urge to defecate while visiting a bookstore. Originating in Japan, it is named for the woman who first publicized such an urge.”
It takes a certain skill to link Taipei by Tao Lin, My Struggle Part I and Part II by Karl Ove Knausgaard and an old book on Italian painting in a single essay, but Zadie Smith is (naturally) the writer for the job. In a new piece for The NY Review of Books, she asks the reader to “imagine [a drawing of a corpse] represents an absolute certainty about you, namely, that you will one day be a corpse.”
“In the aftermath of tragedies, people become obsessive, do strange things. As the tragedy recedes and is sewn up into the past, these strange things appear increasingly weird to casual observers.” At The Rumpus, our own Lydia Kiesling reviews Donna Tartt’s new novel The Goldfinch, which centers around a fictional bombing of the Metropolitan Museum of Art.
Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he "still believe[s] art is more powerful than money." This from the man whose tiger shark and formaldehyde sculpture "The Physical Impossibility of Death in the Mind of Someone Living" sold for $12 million-- the figure that Don Thompson reports in The $12 Million Stuffed Shark.