“The Mariko Aoki phenomenon is a phenomenon consisting of the urge to defecate while visiting a bookstore. Originating in Japan, it is named for the woman who first publicized such an urge.”
Huh. Who Knew?
Monday Links
A new issue of The Quarterly Conversation has arrived, featuring an essay on Wizard of the Crow by QC creator Scott and a review of William T. Vollmann's Poor People from Dave Munger. Lots of other good reviews in there too.Also via Scott, Political Theory Daily Review, a dense and daily collection of linksIn a Newsweek sidebar accompanying an excerpt of his book The American Religion, Harold Bloom names his "five most important books." The most recent one to appear on the list? A tie, more or less, between Don Quixote and the complete works of Shakespeare. Bloom was also asked to admit to an important book he hadn't read. His answer: "I cannot think of a major work I have not ingested." That's a lot of pages to store in one's belly. (via Stephen)Good week for Mark Sarvas, first he announces that he's sold his novel and now he's off on his honeymoon. Filling in at TEV is Joshua Ferris, author of the much praised Then We Came to the End.And finally, a Baltimore Sun review had me intrigued by a new squirm-inducing non-fiction book by a former crime scene investigator for the Baltimore County police. Dana Kollmann's book Never Suck a Dead Man's Hand: Curious Adventures of a CSI gives a real-life look at a profession recently glamorized by TV show "CSI" and its many offshoots. Krall, however, describes a job both more boring and more odious than the one described on TV, but she does so with "dark humor," which I'd imagine the job requires. The book's title, for example, "comes from a story that involves a dead man, his hand and her attempts to get fingerprints on a freezing cold day." Yikes.
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Fuck Yeah, NYRB
Who says publishers have weak brands? Someone loves the NYRB Classics so much they started a Tumblr blog about them. It is called, appropriately, Fuck Yeah NYRB Classics!
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Asian Female Characters in the 21st Century
Read this interview with Mary H.K. Choi where she discusses her novel, Emergency Contact, and how it offers a more modern (2010s) portrayal of Asian American mother-daughter relationships. "Choi’s novel blows up Asian female stereotypes and prods readers to question their own cultural biases about women of color. For instance: Not all Asian moms are like Lane Kim’s in “Gilmore Girls.” Not all of them own antique shops or dry cleaners, care singularly about grades and won’t let their baby tiger cubs date until they’ve finished graduate school."
The Mythology of Jobs
In her scathing, yet utterly necessary, review of Steve Jobs and its subject, Maureen Tkacik writes that "with any luck future generations will saddle Steve Jobs, the brand, with the blemish of all the jobs (small 'j') a once-great nation relinquished because of brand-name billionaires like Jobs."
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Discussing The Worm
"Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world." John Darnielle talks with Colin Winette about E.R. Eddison's The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
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In Search of Lost Verse
Here's the first known poem of Marcel Proust, written at age seventeen and entitled "Pederasty."
iWalser, iBradbury
David Wright recommends five works perfectly suitable for smartphone reading.
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The Future of Latin American Fiction
If you're an enthusiast of Spanish-language literature and haven't been following the serialization of Jorge Volpi's essay on "The Future of Latin American Fiction" at Three Percent, you should be.
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i experience this phenomenon. especially in used bookstores. i’m guessing by the high traffic i experience in bookstore bathrooms that i’m not the only one. i live in the u.s.