Chances are you’ve heard that in a recent interview, Claire Messud responded to a patronizing question about one of her characters — “I wouldn’t want to be friends with Nora, would you?” — by giving her interviewer a smackdown that resonated across the blogosphere. At Page-Turner, several authors (including Rivka Galchen, Jonathan Franzen and Year in Reading alumna Margaret Atwood) offer their own takes on the matter of “likeability.” (There’s also this piece by our own Emily St. John Mandel to consider.)
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”
Out this week: The Past by Tessa Hadley; Mr. Splitfoot by Samantha Hunt; The Kindness of Enemies by Leila Aboulela; The Guest Room by Chris Bohjalian; Only Love Can Break Your Heart by Ed Tarkington; The Children’s Home by Charles Lambert; Travelers Rest by Keith Lee Morris; and Jakob’s Colors by Lindsay Hawdon. For more on these and other new titles, check out our just-published Book Preview.
A white male poet recently revealed his controversial strategy of using an Asian pseudonym to place his poems, which were eventually selected for inclusion in the Best American Poetry anthology for 2015. Brian Spears writes for The Rumpus about the complications of diversity in publishing, Affirmative Action, and the ethics of poetry submission systems.
Following the Irish release of The Guts, the new Roddy Doyle novel that brings back Jimmy Rabbitte from The Commitments, The Irish Times interviews Doyle, who remembers a time when his writing garnered him death threats. Sample quote: “I drove the guy in the next room demented as I replayed an old tape, repeating the same musical phrase, again and again.”