The creative writing department at Florida International University has released the ninth issue of their on-campus literary magazine, Gulf Stream. The issue features the publication’s first inaugural Author Roundtable – a discussion between agents and writers from the Miami Writers Institute and novelists Cathy Day and Marc Fitten.
“’When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,’ Mr. George said. ‘It may simply come down to wisdom. Like the greats, Edith has it.'” Steve Almond gives an overview of Edith Pearlman‘s writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.
In the Chicago Tribune, Julia Keller explains why all the year-end lists are a tiresome exercise: “What annoys and disappoints me, though, is the chilly retrospective nature of such lists. They drain all of the blood from the critic’s job. They require a cold, methodical calculation of passions long past. They’re about yesterday’s yearning. Compiling them is a bit like trying to remember why you used to be in love with so-and-so.” (Thanks, Laurie)
Andrew O’Hagan, whose books have gotten some Booker Prize notice over the years, has a new one out (it’s been out in the UK for a while now) called The Life and Opinions of Maf the Dog, and of His Friend Marilyn Monroe, which, as the title perhaps suggests, is told in the voice of Monroe’s Scottish maltese poodle called Maf. Also out this week is Tom Clancy’s first new “Jack Ryan” thriller in quite some time, Dead or Alive.
“It’s like a massive piece of denim, and with that denim you can make something really cool. You can make a jacket, you can make some cool jeans, or you can make a cushion or a cover.” When The New York Times decides it wants to define “punk,” you’d better get ready for some cringe-worthy responses. Here’s a Millions piece on Viv Albertine, author of Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys and no stranger to punk rock.