A few days ago, Amazon announced the launch of their new "@Author" feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I've broken out in a cold poststructuralist sweat about this over on The New Yorker's Book Bench blog.
Out this week: The Devil in Montmartre by Gary Inbinder; The Emperor of Ice Cream by Dan Gunn; Deeds of Darkness by Edward Marston; and The Cat and the Moon and Other Cat Poems, chosen by the British Library. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.
At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain," [one neurologist] says. "It takes up its own space and if something else gets crowded out, too bad." (via Book Bench)
Nemesis, the latest from Philip Roth is now out. Other new fiction this week includes Nicole Krauss' Great House and Myla Goldberg's The False Friend. In non-fiction, Steven Johnson takes on a thought-provoking topic with Where Good Ideas Come From: The Natural History of Innovation. Also new are Ron Chernow's massive biography of George Washington and a new book from Bill Bryson, At Home: A Short History of Private Life.
New this week: The Wonder by Emma Donoghue; Reputations by Juan Gabriel Vásquez; The Lesser Bohemians by Eimear McBride; American Prophets by Albert J. Raboteau; Odes by Sharon Olds; and The Other Side of the World by Stephanie Bishop. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
It's been one week since the "Friday Night Lights" finale aired on network television, and it seems as though the entire internet is grieving. Two Grantland pieces: an oral history and a tongue-in-cheek analysis; an opinion piece juxtaposing Peter Berg's low-rated drama against "Glee"'s success; and now even The Paris Review has thrown its hat into the ring. All of this, of course, comes on the heels of our own Sonya Chung's piece last April.