"Most poems are rooted in a powerful emotion. With visuals and details of violence against women being flashed every second on TV and debated by different groups, it is only natural that such incidents become themes in our writing," says Bindya Subba, who is one of several Indian poets writing response pieces to the recent rape incidents in Delhi and Mumbai.
Could James Baldwin be America’s greatest essayist? Ta-Nehisi Coates believes so -- at The Atlantic, he argues that The Fire Next Time shows Baldwin committing “amazing acts of intellectual and emotional courage.” (Related: Buzz Poole paid tribute to Baldwin back in 2008.)
HTMLGiant’s A. D. Jameson went and saw part one of The Hobbit in theatres so now none of us have to do the same. Instead, sit back and check out his “250 Points” about the film. Or, if you’d prefer a blast of Tolkien analysis from the past, check out W. H. Auden’s 1956 book review of The Return of the King.
A year and a half later, Jessie Gaynor returns to The Paris Review to follow up her much-appreciated “Drunk Texts From Famous Authors” series. (Part one is here.) On tap this time: T.S. Eliot, Samuel Taylor Coleridge, Samuel Beckett, Roald Dahl, Jorge Luis Borges, Guillaume Apollinaire, William Blake, and a Flarf poet.
“My Blake, the radical visionary poet of the 1960s, seems almost old-fashioned now. I realize how many other Blakes there have been, both before and since.” Richard Blake writes about the greatness of William Blake(s). Need more poetry? Check out our On Poetry column.