“Since I often biked to my therapist’s, he took note of my helmet and asked how my new exercise regimen was going. It’s going great! I said. I love it! I wish I’d known earlier that I ought to bike. Now I hated going underground. It was like the death instinct to go underground, into the subway. I never realized I hated it so utterly until I didn’t have to do it anymore.” On riding a bike in New York.
Random House is releasing a collection of previously unpublished poems and stories from Truman Capote’s youth, recently found in the archives of the New York Public Library. Over at Full Stop, Jacob Kiernan examines the keen political conscience in Capote’s never-before-published work. As he explains it, “While his early stories are structurally simple, they evince a prescient social conscience.”
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
“For me, language was a kind of initiation into multiple realities. For if one language could be certain of a table’s gender and another couldn’t be bothered, then what was true of the world was intimately tied, not to some platonic ideal, but to our way of expressing it.” Ana Menéndez on being a multilingual writer in the twenty-first century.