In the nineties, when Jack Livings was teaching English in China, he was gathering material for The Dog, his short story collection that recently won the PEN/Robert W. Bingham prize. In an interview in the WSJ, he talks about his research process, Chinese idioms and Uighur-Han relations. You could also read Casey Walker’s syllabus for modern China. (h/t The Rumpus)
“We live in a time of image explosion, but without that network images are just content. There’s simply no possibility of a viral digital success—a ‘Call Me Maybe‘ of painting or photography—because a work only becomes successful upon its art world approbation.”
New this week is David Bezmozgis’s The Free World, the new Geoff Dyer collection of criticism Otherwise Known as the Human Condition (reviewed here today), “Professor X’s” higher ed expose In the Basement of the Ivory Tower, Funeral for a Dog, a German novel in translation by young author Thomas Pletzinger, which John Wray has blurbed as “ballsy,” and Chinaberry, a posthumously published novel by the Appalachian author James Still.
The Tide King author Jen Michalski shares a wonderfully honest account of how she managed to write her way out of the closet. “People, mostly nonwriters, are always surprised when I tell them I wrote so much growing up,” she says. “But those words, I want to tell them, weren’t written for anyone else – the audience who needed to see them and the audience for whom they were written was me.”
“Hoaxers make it seem like things are as bad as we fear they are, and they often, especially now, play on our fears rather than our wishes.” The Rumpus interviewed New Yorker Poetry Editor Kevin Young about the inspiration behind his new book, Bunk: The Rise of Hoaxes, Humbug, Plagiarists, Phonies, Post-Facts, and Fake News. Pair with Young’s Year in Reading entry and our review of Bunk.