Ordinarily I would caution against reading a novel’s first draft, however in the case of Finnegans Wake, perhaps all rules should be tossed out the window. With this one, it seems as though any and all supplemental material might help unlock the finished product’s mysteries. Case in point: the entire first draft of Joyce’s most perplexing novel. (Of course, when all else fails, there’s always Michael Chabon to save the day.)
"Riordan’s books prompt an uneasy interrogation of the premise underlying the 'so long as they’re reading' side of the debate—at least among those of us who want to share Neil Gaiman’s optimistic view that all reading is good reading, and yet find ourselves by disposition closer to the Tim Parks end of the spectrum, worried that those books on our children’s shelves that offer easy gratification are crowding out the different pleasures that may be offered by less grabby volumes." In an essay for The New Yorker, Rebecca Mead considers questions about what children should be reading through the lens of the Percy Jackson series.
We've seen a proliferation of junky editions of out-of-copyright classics, but we've also noted gorgeous new hardcovers from Penguin and now from much smaller outfit White's Books, including Emma, Wuthering Heights, Charles Dickens' Christmas Books, and several others.
For the most part, your average writer's retreat is a pretty cushy place. Its amenities are designed to let its guests turn their energies to the difficulties of artistic work. At The Paris Review Daily, Rex Weiner writes a dispatch from a different sort of retreat -- a haunted house for writers in Mexico. To read about a more traditional experience, check out our own Michael Bourne on his time at Bread Loaf.
“When is it plagiarism, when is it homage? Especially in creative writing, I get tripped up on this distinction. A trick for writer’s block: write an imitation, steal moves, learn by mimicry. For my own poem-writing, I turn to other texts all the time. I pull language, take a word I like, sometimes fragments of phrases and twist them. I get inspired, I want to model after poems I fell madly for.” On discovering another writer’s plagiarism.