In The Guardian, Sam Leith reviews Holy Sh*t: A History of Swearing, a new book by Melissa Mohr. In it, Mohr argues that swearing just ain’t what it ****ing used to be, man.
‘Bout Goddamn Time
Tiny Umbrellas and Baby Carrots
Down with the “mocktail.” McSweeney’s has provided a helpful list of fun drinking games for non-drinkers. This Millions piece on eating and drinking and reading should help to whet your appetite.
Allen Ginsberg, Beat Historian
“It’s not often one gets the opportunity to take a course on a major literary movement taught by a founding member of that movement,” but Allen Ginsberg‘s lectures on “the literary history of the Beats” are now available online via Open Culture.
To Kill a Reputation
Harper Lee may have died earlier this year, but the drama surrounding her final years rages on. Last week, a stage adaptation of Lee’s To Kill A Mockingbird was performed in her hometown of Monroeville, Alabama, as it has for many years. This time, however, things got a bit contentious. Here’s a dispatch from Monroeville by Robert Rea for The Millions.
Carla Hayden Confirmed
Carla Hayden became the first African American woman to be the Librarian of Congress on Wednesday.
In a Fugue State
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
Two Dollar Radio Gets Some Press
Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.
“The Soul of the Censor”
Recommended reading: Robert Darnton writes for The New York Review of Books blog about the history and politics of censorship.
Overhearing the Wisdom
Recommended Listening: Poet Rachel Zucker speaks with John Murillo about duende and the ethics of writing poetry.