The first trailer has been released for the cinematic adaptation of Tracy Letts’s Pulitzer-winning play August: Osage County. Here are two of my favorite scenes (one, two) from the play to whet your appetite. The film, which is directed by John Wells, is scheduled for a November release.
Last week, Year in Reading alum Megan Mayhew Bergman released Almost Famous Women, a new collection of stories. Now, at Bookslut, Rebecca Silber talks with her about the book, which spans nearly a decade of meticulous reading and research. Sample quote: “We need to see women who chase wild dreams and professions as ardently as men.”
Our own Emily Mandel may have been onto something with her “catastrophic” summer reading list; dystopia seems to be all the rage this summer. The WSJ sets Rick Moody’s The Four Fingers of Death in “a dystopian United States that is halfway between Kurt Vonnegut’s Player Piano and Woody Allen’s Sleeper.” The SF Chron calls Gary Shteyngart’s Super Sad True Love Story “literature’s first dystopian epistolary romantic satire.” And later this year, as we noted this month, will be Salvation City by Sigrid Nunez, which focuses on a cultish community in the dystopian aftermath of a flu pandemic.
“Love / is the only fortress / strong enough to trust to.” Mary-Kay Wilmers for the London Review of Books reviews Holding On Upside Down: The Life and Work of Marianne Moore. In the book, Moore’s slightly-bizarre domestic life is examined with fairness and honesty alongside her impressive body of work. If poetry is your thing, check out our On Poetry column for more.
“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
This week Uncanny Valley Press released Leave Luck to Heaven, Brian Oliu’s collection of lyric essays based on “the weird, painful things we made NES games carry for us because we didn’t know where else to put them.” To get a taste for Oliu’s style, check out “Mile Zero,” which will be featured in a different manuscript down the line.
How would you feel if your novels all fell apart at the end? The writer Ann Bauer knows this feeling, and it’s painful — she says that her readers inevitably tell her the endings of her novels are all wrong. (You could also read our own Sonya Chung’s essay on literary endings.)