The first trailer has been released for the cinematic adaptation of Tracy Letts’s Pulitzer-winning play August: Osage County. Here are two of my favorite scenes (one, two) from the play to whet your appetite. The film, which is directed by John Wells, is scheduled for a November release.
August: Osage County Gets a Trailer
Hiddleston’s High Rise
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Art Within Art Within Art Within
The Public Domain Review and Berfrois heard you’re a big fan of paintings so they rounded up paintings with other paintings inside of them.
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A Refuge for Reinventing the Real
“In my adolescence people spoke of ‘café intellectuals,’ not with the respect due to a sect that transmits ideas within the cramped space of a table but with the contempt reserved for those who turn their backs on reality and take refuge in vain speculation.” Juan Villoro on the writing life in Mexico City’s cafés as part of the “Writing Life Around the World” series for Electric Literature.
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A Little Bird Told Me
Catapult has a new anonymous column in which a little bird called Magpie collects nice things that happen each week.
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Kindle to Impress
So you got a new Kindle for Christmas, and you’ve loaded it up with all our ebook recommendations? That’s great, but it may not be enough. Best to add a few ebooks to impress anyone who happens to come across your e-reader, just in case, and McSweeney’s has just the list.
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Allan Seager’s Place in the Canon
John Warner‘s great uncle Allan Seager wrote a short story “etched permanently into the American consciousness in a way even Hemingway can’t match.” In this marvelous essay, Warner investigates the writer’s inspiration and legacy.
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More from Leon Wieseltier
A couple weeks ago, I wrote about this year’s Brandeis commencement, at which New Republic editor Leon Wieseltier argued that the humanities are under siege in America. In this week’s issue of Prospect Magazine, Malcolm Nicholson interviews Wieseltier, who claims that “we live in a culture of worthless praise.”
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Sad Face
What makes a sentence sad? At The Missouri Review blog, Aaron Gilbreath explores just why certain sentences are depressing — from A.A. Milne’s The House at Pooh Corner to James Joyce’s “Eveline.” “Their emotional impact doesn’t stem solely from the combination of words. The impact often results from the circumstances of readers’ lives.” Pair with: Sam Martone’s metafictional short story about his grandmothers’ deaths, “A Second Attempt,” at Pithead Chapel.
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