There’s an Apostrophe Protection Society, and it’s in crisis mode.
Aposthropocalypse
Do Or Do Not
“Listen to what makes your hair stand on end, your heart melt, and your eyes go wide, what stops you in your tracks and makes you want to live, wherever it comes from, and hope that your writing can do all those things for other people. Write for other people, but don’t listen to them too much.” Being a writer is really hard. Fortunately, Very Good Writer Rebecca Solnit is here with ten tips on how to be a better one.
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Thursday Links
Alas, the Tournament of Books is over for my bracket as it was revealed that the “Zombie Round” brought Against the Day and Absurdistan back into the competition. With my finalists now officially out of the competition my bracket is dead, and it looks like I’ll finish in the middle of the pack. Meanwhile, fresh off the Oprah selection shocker (more on that in my next post), I’m think The Road is a lock to win this thing.Book Chronicle has organized an award for litblogs. In my post about book blogs being snubbed by the major blog awards, I argued that book blogs didn’t need to recognized in this way to legitimize them. Still, I do appreciate Book Chronicle nominating The Millions for their award.Harry Potter obsessives can now have a look at the cover for the final book in the series.The Paris Review has given its $10,000 Plimpton Prize for Fiction to Benjamin Percy, for his story “Refresh, Refresh,” which is excerpted on magazine’s Web site.Tom Bissell reviews Jonathan Safran Foer’s Extremely Loud and Incredibly Close at Wet Asphalt.
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Adapted for Screen
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Regietheather
Is that a severed prostitute’s nipple in my Mozart? At City Journal, Heather MacDonald mourns the rise of slick, irreverent productions of classical operas in Europe known as Regietheater (director’s theater), a theory of opera direction that holds the director’s take on an opera to be as (0r more) important than the artist’s text.
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