A few months ago, I wrote about Norwegian Granta, which included stories by Jennifer Egan, Roberto Bolano and Alice Munro in its first issue. Now the magazine is launching Granta Portugal, which debuts with five sonnets by the poet Fernando Pessoa.
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)
Maybe you’re a speed-reader or maybe you’re a psychic who plans their reading lists months ahead of time. Those are the only two possible scenarios by which you may have finished reading all of the books on this year’s Man Booker Long List. And if that’s the case, it’s time to get started on The Guardian’s “Not The Booker” Long List.
Do you ever find yourself skimming novels looking for exciting words and hyperlinks? You aren’t the only one mixing up the digital and print reading worlds. Neuroscientists believe we are developing new brain circuits for skimming online information that are rewiring how we’ve approached reading for centuries. Pair with: Our essay on how writing is also changing to fit our fragmented attention span.
In the Boston Review, Jess Row wades – slowly, interestingly, not always coherently – into the perpetually roiling waters of Theory of the Novel, taking on the canon wars, realism vs. the avant-garde, etc. Is it really “a safe bet that your average well-informed critic today has never read a single work of criticism by a writer of color?” Probably not, even granting Row’s exception. But possibly worth arguing about. If you like that sort of thing.
Here’s a thing you’ve probably never thought of before: the sheer weirdness of some of the Christmas rituals in many canonical children’s books. In The Irish Times, Rosita Boland catalogues a few of the stranger ones, including Laura Ingalls Wilder’s Christmas dinner in summer and Lucy’s gift of a dagger in The Lion, The Witch and The Wardrobe.
“Everyone says Anna Karenina is about individual desire going against society, but I actually think the opposite is stronger: the way societal forces limit the expression of the individual.” Here is Mary Gaitskill on Anna Karenina for The Atlantic’s By Heart series, in which writers reflect on some of their favorite passages in all of literature. We’ve brought you a bit on By Heart here, here, and here.