“The media of my childhood, mostly weekly television shows and overused VHS tapes, was like a good pet. Sure, it was a little costly to keep around, but it was lovable, and I could always shut it out in the yard for a while. Now, though, media is always with me, always trying to snag my attention and siphon away as much as possible to sell to advertisers. It feels like it’s evolved from a cute little pet into a frighteningly efficient parasite.”
David Lodge never set out to be a writer of campus novels, but that may end up being his legacy, thanks to his most famous books, Changing Places and Small World. In the LRB, Stefan Collini reviews a new book of essays and an autobiography by the author, the latter of which covers the first forty years of his life.
In 1913, four years before the Russian Revolution, Tsar Nicholas II made the now-baffling claim that a writer named Teffi was the only major Russian writer. At the time, however, his endorsement made sense, because everybody in Russia, from royalty on down, read Teffi’s work and “delighted” in it. Until the revolution, at which point she was consigned to oblivion. William Grimes writes about a new collection of her stories.
Out this week: The Small Backs of Children by Lidia Yuknavitch; The Woman Who Stole My Life by Marian Keyes; The Hand that Feeds You by A.J. Rich; Among the Ten Thousand Things by Julia Pierpont; Vanishing Games by Roger Hobbs; The Last Pilot by Benjamin Johncock; Speak by Louisa Hall; The Way Things Were by Aatish Taseer; The Invaders by Karolina Waclawiak; Pretty Is by Maggie Mitchell; You Don’t Have to Live Like This by Benjamin Markovits; French Concession by Xiao Bai; The Captive Condition by Kevin P. Keating; and the paperback edition of our own Edan Lepucki’s California. For more on these and other new titles, check out our latest book preview.