You’re God Damn Right It Does
This Week in Russian Lit.
The Morning News has just launched a series on contemporary Russian literature. For this week's installment Anna Starobinets provides an exerpt of her debut manuscript, An Awkward Age, and chats about her writing with Elizabeth Kiem. In the New Yorker, Sally McGrane profiles Boris Akunin, Russian writer of potboilers and political dissident.
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I Wandered Lonely As A Cloud
What's a Wordsworth scholar to do when nature offers him no epiphanies?
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Fairytales Revived
Fans of Hans Christian Andersen, a new edition of The Little Mermaid was published on Tuesday. Artist Yayoi Kusama has illustrated the classic fairytale.
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Dificil
Growing up, Judy Bolton-Fasman watched her mother study Don Quixote, propping the book up on their kitchen counter while studying for her Master’s in Spanish literature. Her mother was a native speaker, but Cervantes was still a tough writer to figure out, especially if you were reading his work while trying to cook dinner in the background. The author looks back on her mother’s education in a Saturday Essay for The Rumpus.
Breaking Out
As part of a collaboration with several international magazines, Full-Stop is publishing Babelsprech International, a series of articles on poetry around the world. In the latest edition, Karel Piorecký writes about contemporary Czech poetry, drawing a line between the pre- and post-Communist periods. Related: John Yargo on the Czech writer Bohumil Hrabal.
On the Greatness of Talking Rabbits
A decade before Matt Groening created The Simpsons, he debuted his first comic, Life in Hell, at a record store in Los Angeles. The strip kept running for thirty-five years, even after The Simpsons brought its creator international fame. He decided to end it earlier this year, and his fans (including Alison Bechdel) are paying tribute.
Tune in next week
Emily Nussbaum on the poetry of cliffhangers, "which makes visible the storyteller’s connection to his audience—like a bridge made out of lightning. Primal and unashamedly manipulative, cliffhangers are the signature gambit of serial storytelling."