Out this week: Thirty Girls by Susan Minot; The UnAmericans by Molly Antopol; The Bear by Claire Cameron; The News: A User’s Manual by Alain de Botton; The Quiet Streets of Winslow by Judy Troy; a new translation of August by Christa Wolf; The Parallel Apartments by Bill Cotter; and The Journey of a Caribbean Writer by Maryse Condé. For more on these and other new releases, check out our Great 2014 Book Preview.
“There was an inefficient system in place, and what I did was subvert it by an external rotation of reluctant holly jollies. Nasally, I came to understand that light is a thing that is produced through the collision of particulates, and boy isn’t that the truth.” As part of their year-end review, McSweeney’s republished their ten most popular pieces of 2014, including the above. Its title? “Donald Barthelme Narrates the Progress of the Reindeer.”
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”