The age old debate: experience versus aesthetics, the real world versus the MFA world.
“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”
Stephen Elliot explains why publishers are shooting themselves in the foot when they gouge authors trying to buy copies of their own books.
As libraries struggle to survive in the UK, community-based lending libraries are sprouting up to fill in the gaps. The Society of Authors is threatening to take legal action against these libraries after discovering that they are not required to pay any royalties to authors.
The final installment of Elena Ferrante’s Neapolitan Novels, The Story of the Lost Child, hits shelves next week. Emma Adler at Electric Literature has compiled a helpful Ferrante Study Guide if you’re feeling a bit lost. Cora Currier’s Millions essay on “reading Italy” through Elena Ferrante’s body of work is an ideal complementary read.
Catch it while you can: Charlie Rose's hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar's latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.