John Clare, “the peasant poet,” wrote wide-ranging poems on rural themes, distinguishing himself from his peers in the 19th-century literary scene in England. In 1830, in the midst of an episode of depression, he wrote a long polemic against the first-person pronoun, in the form of a letter to his friend Eliza Emmerson. In The Paris Review Daily, an excerpt of the letter.
“I will tell them one of the greatest, perhaps the greatest story of all — the story of good and evil, of strength and weakness, of love and hate, of beauty and ugliness. I shall try to demonstrate to them how these doubles are inseparable — how neither can exist without the other and how out of their groupings creativeness is born.” John Steinbeck, American literary titan and author of The Grapes of Wrath, certainly knew a thing or two about creativity.
According to some new research conducted by ebook retailer Kobo, the digital reading revolution (if it still exists) is being powered by prolific readers who are primarily female and older than forty-five. The study asserts that women make up almost seventy-five percent of “active” e-readers, defined as those who spend more than thirty minutes per day reading. What does all of this mean? Who knows, but keep reading.
Out this week: A Strangeness in My Mind by Orhan Pamuk; The Mark and the Void by Paul Murray (whom our own Mark O’Connell interviewed today); Submission by Michel Houellebecq; Golden Age by Jane Smiley; The Hours Count by Jillian Cantor; Moon Up, Past Full by Eric Shonkwiler; and Lafayette in the Somewhat United States by Sarah Vowell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.