This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”
“Maurice Sendak drew his partner Eugene after he died, as he had drawn his family members when they were dying. The moment is one he was compelled to capture, pin down, understand, see. Where many— maybe most—people look away, he wanted to render. He was very wrapped up in the goodbye, the flight, the loss; it was almost Victorian, to be so deeply entranced with the moment of death, the instinct to preserve or document it. It’s also the artist’s impulse: to turn something terrible into art, to take something you are terrified of and heartbroken by and make it into something else. For the time it takes to draw what is in front of you, you are not helpless or a bystander or bereft: You are doing your job.” On Maurice Sendak and the art of death.
Best selling author Elena Ferrante will be a new weekend columnist for the Guardian magazine. Why did she decide to go this route in addition to writing a screenplay? Read her reasoning and pair with this essay on reading Italy through Ferrante’s work.
Michael Seidlinger writes on how consciousness occurs online. As he puts it, “We have all become Sisyphus, pushing our rocks up a hill littered with hyperlinks and tweets, perpetually, futilely, refreshing the page of existence.” Pair with this Millions piece on the best of literary Twitter.
“Reaching the end of a Babstock poem, I often felt (and still often feel) stunned into a kind of numinous awe.” Stewart Cole for Partisan on Ken Babstock and the state of Canadian poetry. Continue with confidence on your quest through the Canadian canon with the help of this guide by our very own Michael Bourne.