Recommended Viewing: Alejandro Cartagena’s photo series, “The Car Poolers.”
A Mississippi school district has decided to pull Harper Lee's To Kill a Mockingbird from its junior-high reading list because it "makes people uncomfortable." The novel, which frequently tops the American Library Association's "Frequently Challenged Book" list, tackles racism. See also: an essay on the symbolism of mockingbirds.
College football season is upon us, and I'd be remiss not to highlight the recent flood of fantastic writing on my favorite televised sport. Most striking is Pulitzer Prize-winner Taylor Branch's Atlantic article "The Shame of College Sports." It's accompanied by several other takes on the issue. In regards to academia, this New York Times piece on the University of Chicago's football team demonstrates that tension between educators and football fans is nothing new. (A sentiment the paper illustrated in a 2006 piece on Ivy League football.) However, as Gregg Easterbrook notes, major football programs can also demonstrate success in the classroom as well. Finally, and on a purely emotional level, I will always seize any opportunity to share this fantastic ESPN story by Eric Adelson.
Although Jon Fosse is not well known in America, his work is revered in his native Norway, where he stands on a par with his onetime student and American celebrity, Karl Ove Knausgaard. In a piece for The Paris Review Daily, Damion Searls argues for Fosse’s relevance, claiming that Fosse is the only writer whose work made him weep as he translated it. You could also read Jonathan Callahan on Knausgaard’s My Struggle.
“'I put lipstick on a pig,' he said. 'I feel a deep sense of remorse that I contributed to presenting Trump in a way that brought him wider attention and made him more appealing than he is' ... If he were writing The Art of the Deal today, Schwartz said, it would be a very different book with a very different title. Asked what he would call it, he answered, 'The Sociopath.'" Donald Trump's ghostwriter from The Art of the Deal, Tony Schwartz, expresses some remorse and tells what it was like to write Trump.