“Here is a rare recording of Flannery O’Connor reading an early version of her witty and revealing essay, ‘Some Aspects of the Grotesque in Southern Fiction’”
Well, She Should Know
Live Like Philip Roth, Literally
Philip Roth's New York City apartment is now for sale, and with its choice location and its floor-to-ceiling bookshelves, we doubt it will be available for very long.
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Unaffiliated
Helen Vendler is one of those rare scholar-writers who doesn’t adhere to a particular school of theory. In her new book of essays, she explains her view of criticism as distinct from both philosophy and scholarship, as a form of learning that’s inherently “unsystematic and idiosyncratic.” In Open Letters Monthly, Jack Hanson reads through the book. You could also read Jonathan Farmer on Rita Dove’s letter to Vendler.
Crossed Lines
In the latest issue of the LRB, Jenny Diski comes to the defense of Liz Jones, a Daily Mail columnist and spiritual sibling to the far-too-beautiful-to-live Samantha Brick. Her takeaway after reading a column that got Jones into hot water? Diski “couldn’t see” what the pilloried writer had done wrong.
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Tuesday New Release Day: Larson, Nesbø, Brown, Earle, Udall, Marlantes
Purveyor of popular nonfiction Erik Larson has a new book out this week, In the Garden of Beasts: Love, Terror, and an American Family in Hitler’s Berlin. The Snowman by Jo Nesbø is a new entry in the increasingly popular Scandinavian thriller genre. Inward-looking graphic novelist Chester Brown’s latest, Paying for It is out, and musician and actor Steve Earle can now add “novelist” to his resume with the release of I’ll Never Get Out of This World Alive. And new in paperback are a pair of big books, Brady Udall’s The Lonely Polygamist and Karl Marlantes’s Matterhorn.
“There is no other planet like Earth, […] so Superfund sites have to be super fun.”
We’ve entered the Anthropocene. It’s time to read up: David Biello provides a list of required reading and a thesis on the goal of literature in this new geologic age.
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Life in Letters
“To age is to understand that the powers of total recovery are gone, are no longer anticipated (except by those who, having lost their marbles, no longer know what to anticipate).” The epistolary legacy of writers such as Samuel Beckett, Saul Bellow, and Elizabeth Bishop offers invaluable insight into the process of growing older, writes Robert Fay for The Atlantic. See also our own Lydia Kiesling on the narrative possibilities of leaked emails.