“Here is a rare recording of Flannery O’Connor reading an early version of her witty and revealing essay, ‘Some Aspects of the Grotesque in Southern Fiction’”
Well, She Should Know
Your Tacit Approval
“I hate to break it to you, folks, but RTs are implied endorsements. Forwarding an article by e-mail without explaining why you are passing it on implies that you agree with it (and that you are someone who likes to waste my time). RTing something without comment means the same thing.” Uh oh.
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The Hellman’s Virgin
Recommended Reading: Ottessa Moshfegh on eating mayonnaise for the first time.
Novel Projects
“Well, is ‘addiction’ what a literary writer should want in readers? And if a writer accepts such addiction, or even rejoices in it, as Murakami seems to, doesn’t it put pressure on him, as pusher, to offer more of the same?” Tim Parks writes for the NYRB about writers who keep producing more of the same to please hungry readers.
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The Year of Only Publishing Women
“When author Kamila Shamsie challenged the book industry to publish only women in 2018 to help address a gender imbalance in literature, just one publisher took up the challenge.” And Other Stories, an English publisher who publish translations and English language books, has decided to only publish women writers in 2018, according to the BBC. Pair with: an essay by our own Marie Myung-Ok Lee about the visibility and privacy of women writers.
MIT’s Open Documentary Lab
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”