“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
Visions Beyond Imagining
A Chance for Closure
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung’s Millions essay on literary endings.
Second-Half Ctd.
Know a great title that’s not in our latest Book Preview? Tweet it using the hashtag #otherbooks2015. Coined by Steve Himmer — who’s written for us — the hashtag lets readers suggest noteworthy books that didn’t appear on our list. You can find even more additions in this Metafilter thread.
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Those Silly Bloggers
NYC restaurateur Gabriel Stulman of Little Owl and Joseph Leonard says, “I’m turned off by how people are dining now in this blog-inundated world. Everyone wants to dissect and overanalyze their food and take pictures of it.” (via, thx Emre)
“I’ve escorted two e-partners to the edge of the grave”
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
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On Internet Fiction
Jacob Silverman reviews two new novels – Note to Self and The More You Ignore Me – that “take on one incarnation of the Internet: the Internet as pathology” but ultimately fail to succeed “in exploring or critiquing digital life with any authority.” He notes that “like any technology, [the Internet] has to be shaped for the purposes of literature.”
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Story Arcs
Inspired by Kurt Vonnegut, researchers programmed a computer to identify the main arcs in stories. You could also read our editor Lydia Kiesling’s review of Vonnegut’s Letters.