“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
Visions Beyond Imagining
The Birth of the Ellipsis
A Cambridge professor has identified the earliest use of the ellipsis in English literature. Find out more at The Guardian. Sam Anderson reminds us that ellipses are good in moderation through an examination of Dan Brown’s Inferno.
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Bookchat on the Internet
Recommended Reading: What we talk about when we talk about books.
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What’s A Guy Got to Write to Get a Bridge Named After Him?
Frank McNally investigates the “dark forces at work somewhere” that prevent Flann O’Brien from being honored with a Dublin bridge. Perhaps we should all start a grassroots campaign to send Mark O’Connell’s O’Brien tribute to Irish civil engineers.
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Sturm und Drang
“For Germany, the Wagners are what the Atreidai are in Greek mythology. One of them, Atreus, committed a grave sin, casting a curse over all subsequent generations, beginning with Agamemnon and Menelaus, followed by Iphigenia, Orestes and Electra. The family is marked by enmity, as is the Wagner family.” On a certain influential composer.
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“In the future, you’ll be so lightheaded”
Recommended Reading: this collection of short pieces by Rumpus readers on the subject of magic.
Dispatch from Spain
Over at the Literary Hub, Valerie Miles writes about the life and work of Spanish writer Rafael Chirbes. His forthcoming novel On the Edge is the first of his books to be translated into English and one of the most anticipated books of 2016.
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Cursing at Poets
At The Collagist, Kyle Beachy imagines the emperor Augustus saying to the poet Horace, “You and your kind are fucked!” “The Extent of Our Decline” is one of number of essays appearing in the collection I co-edited, The Late American Novel: Writers on the Future of Books, coming in March from Soft Skull.