“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
Visions Beyond Imagining
Jane at 40
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”
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DWF – Dating While Feminist
Samhita Mukhopadhyay’s new book Outdated: How Dating is Ruining Your Love Life starts a public conversation about the pitfalls of Dating While Feminist (DWF).
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“My life when I was that age was such a disaster”
Recommended Reading: Lindsay Whalen’s interview with Lev Grossman, which goes nicely with our review of The Magicians.
New Eggers Novel Gets Release Date
Well, it turns out that Dutch bookselling site was right after all. In three weeks, Dave Eggers will release his latest novel, A Hologram For the King. The author gives some more information in an interview with The Rumpus‘ Stephen Elliott, but it seems pretty crazy how this isn’t being talked about more.
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Hamming it up with Scott McClanahan
Is writing an inherently performative medium? Scott McClanahan thinks so. “I think my favorite writers are hams,” he said in an interview for The Rumpus. He also discussed staying at hotels with pimps during his book tour, indie presses, his book Crapalachia (which our own Nick Moran recommends), and his aversion to tote bags.
Reality Slips
“I sensed myself hurtling into the reality of the film, and leaving my own behind.” Esme Weijun Wang writes on the slippage of reality in films and schizoaffective disorder.
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