Write what you know? Pssh, how twentieth-century. More like write what you can Google Map.
“Andre Dubus’s literary superpower is to hit upon that one thing about a character that makes him him, or her her. And in so doing, with subtle, clever details—breadcrumbs on the trail to the nucleus of a character—he makes a reader want to keep going, because she knows exactly who these people are and has to know what happens to them.” On the Selected Stories of Andre Dubus.
In an interview for The Atlantic, Greil Marcus talks about his new book The Doors: A Lifetime of Listening to Five Mean Years. Later on, however, he tosses off his gloves to dismiss the bits about Pauline Kael in James Wolcott’s memoir Lucking Out. “I’m not really interested in what Jim has to say about Pauline,” Marcus says. “He became an acolyte of Pauline’s in a way that was embarrassing to read, when he was mimicking her and celebrating her in The Village Voice.“
“We are not buried in history, but surrounded by it. You can’t avoid our behavior being shaped by it, to a considerable degree. We have this fantasy that we are free of history. This allows us not to see the circumstances, the historical circumstances of other people.” The Rumpus interviews Russell Banks about his new book Voyager: Travel Writings.
A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.