Write what you know? Pssh, how twentieth-century. More like write what you can Google Map.
There’s been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books. She then explores the work she’s doing to improve the situation by publishing women writers and artists in works like the Ladies’ Night Anthology. As she says, “I’m motivated in no small part by being able to say to those ‘make your own’ strawmen, ‘I do. I’m an editor contributing to published comic books. Are you?'”
“Now, I’m not going to lie. It’s annoying, to have to take time out of my incredibly busy writing schedule in order to spell it all out for young people, just because they spend most of their daylight hours being urged by hoary old theorists in threadbare sweaters to write experimental fiction that will never sell. But I care deeply about the young—all of them, the world’s young—so of course I am humbled and honored to share the trade secrets embedded in my rigorous daily work schedule.” Heather Havrilesky on her writing life.
Downton Abbey, meet Arrested Development: Arrested Downton. Speaking of the stunningly popular Downton, The Missouri Review is having a “non-contest;” enter by channeling the voice of your favorite author to describe the world of the show. Our own Garth Risk Halberg might be able to help you out, with his essay on Downton‘s literary pedigree.
The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was – a mean girl.
In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world.”