There was a time, believe it or not, when poets made appearances on widely-seen American talk shows. That time was the fifties and sixties, when Carl Sandburg appeared on The Today Show, The Ed Sullivan Show and Edward R. Murrow’s See It Now. (He also gave a speech before Congress and competed on What’s My Line?)
“Because at the end of the day, there is no magic solution, no short-cut, to writing something that hopefully will last. No matter how we search for one.” Jeff VanderMeer gives eight writing tips for aspiring writers in the Chicago Review of Books. See also: VanderMeer’s prolific 2017 Year in Reading entry.
“I’ve always thought Yunior’s voice isn’t possible without hip-hop,” Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan’s Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane’s Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
If you’ve ever heard that literary skill is synonymous with a good memory, you’ve likely bemoaned your own forgetfulness, especially when it comes to important things. Tim Parks felt the same way, until he read a new book on forgetting, which led him to wonder how much knowledge we can retain. In The New York Review of Books, he tackles the paradox of the reader’s memory. You could also read our own Mark O’Connell’s review of Parks’s book Italian Ways.
The CIA was known for unorthodox espionage techniques during the Cold War, but using Doctor Zhivago to undermine the U.S.S.R. is one of the strangest. The CIA helped print and distribute the banned book because it would make Soviets wonder “what is wrong with their government, when a fine literary work by the man acknowledged to be the greatest living Russian writer is not even available in his own country in his own language for his own people to read.”