It’s hard to know exactly what North Korea will do these days, but if you’re looking for context, The Morning News published a cartoon guide to recent history.
“War veterans experience something called hypervigilance, a mental state of continual alertness for danger. I have a minor version of this, a writer’s version. For me, danger lies in the sound of a footstep, a spoken word. Anyone could destroy the fragile construction I have to make each day.” Roxana Robinson writes for VQR about the writer’s need for solitude. For more from Robinson, be sure to check out her essay for The Millions on Edith Wharton.
I’ve long thought that New Orleans is the greatest city in America and that it’s nigh impossible to make it much better. That was before Tulane University announced that Salvage the Bones and Men We Reaped author Jesmyn Ward will be joining their faculty. Let it be thus known: on July 1, 2014, New Orleans will get even better than I could’ve imagined.
“Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul.” Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed “the most awesome book cover of the summer,” in particular.
Out this week: The City of Mirrors by Justin Cronin; Sweetbitter by Stephanie Danler; The Summer Guest by Alison Anderson; This Too Shall Pass by Milena Busquets; Dear Fang, With Love by Rufi Thorpe; and Smoke by Dan Vyleta. For more on these and other new titles, go read our Great 2016 Book Preview.
“There are writers we instinctively, permanently dislike: not only will we never read them, we will quietly relish the not-reading, finding in it a pleasure that can occasionally rival reading itself.” Dan Piepenbring explores the advantages of not reading for the The Paris Review. Pair with our own Sonya Chung’s essay on the art of not finishing books.