“The greatest mistake the American writer ever made was asking everybody else what they thought of their writing. Look around your current writing workshop. Look right and left. Most of those people will stop writing. Because it’s too hard, they have no ideas, no one understands them, whatever. A few of those failed people will become editors. These are the only people in the room who should ever really matter to you.”
Millions staffer Mark O’Connell immersed himself in the “transhumanist” movement for more than a year, checking in on such characters as Zoltan Istvan, the quixotic U.S. presidential candidate perhaps best-known for driving a coffin across the country. O’Connell’s book, To Be a Machine, which details dreamers like Istvan envisioning human existence liberated from the outmoded confines of the human body, publishes this month.
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.