“And when she champions authors, she explains specifically what makes their work special. No vague parroting of Kakutani reviews here. She gives you the straight dope.” How do you say goodbye to your favorite bookstore?
The Hardest Goodbye
Don’t Fear the Reaper
“It is a sad irony that the snake’s rattle, which functions as a warning device, is widely regarded as a bellicose drumroll, or war-cry, instead. It may well have been in a mood of remorse for having killed a rattlesnake on impulse that [William] Bartram, vowing solemnly that he ‘would never again be accessory to the death of a rattle snake,’ painted his marvelous portrait of a coiled rattler.” Christopher Benfey on Rattlesnake Island, a sanctuary set up to protect the woodland serpents from their greatest danger — us.
“The First Step Into the Wide World”
This is from two years ago, but it’s worth a listen if you missed it the first time: a moving Radiolab podcast on Alzheimer’s, Düsseldorf, and the creative use of bus stops.
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It’s Late
Recent Pulitzer laureate Adam Johnson has a new short story in Esquire, and it’s a doozy, invoking drone strikes, Obama and Kurt Cobain in the course of its tightly-knit plot. Sample quote: “I wonder if the First Lady was the one to turn off the machine.”
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The Portable Betty Draper
The literary lineage of Mad Men‘s Betty Draper extends to Edith Wharton and Margaret Mead, argues Laura Tanenbaum in a new issue of Open Letters Monthly.
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Say My Name
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Elliott Holt Talks Anton Chekhov
“On the surface ‘The Lady with the Little Dog’ is a love story,” writes Elliott Holt in a blog post for The Missouri Review. “[It’s] a romantic one at that, but it’s also about the tension between the person we show the world and the one we keep to ourselves. The older I get, the more the story resonates with me.”
Beer is a beer is a beer is a beer
“There is no use no use at all in smell, in flavor, in taste, in anything, there is no use at all and the lack of respect is mutual. More, that is more, yes. But what I want is less.” Gertrude Stein reviews Bud Light Lime and other beers at The Rumpus’ Funny Women Column.
Body Language
I’ve written before about By Heart, a series at The Atlantic in which authors write short pieces about their favorite passages in literature. This week, our own Edan Lepucki — whose new novel you may have heard about thanks to Stephen Colbert — writes about the metaphors in Margaret Atwood’s The Handmaid’s Tale. (FYI, Margaret Atwood wrote a Year in Reading entry for The Millions.)