“Biography, even those of intellectual figures, assumes a general reader, a reader who does not understand or want to understand the ideas of its subject. The biography of a philosopher magnifies this approach, turning its attention simply to the ‘significant events’ in the life of the philosopher.” Derrida: the impossible biography?
Anonymous strikes again: On January 25th, the entity that brought us 1996’s deliciously scandalous Primary Colors: A Novel of Politics, offers a roman à clef for the Obama age: O: A Presidential Novel. Then it was Joe Klein, but this Anon. is still Anon. Perhaps better than the insider gossip: The media-fueled whodunit the novel’s sure to inspire.
You’ve read Elif Batuman’s dissertation on the double-entry book-keeping of novelists (pdf), but now your “debit” balance is low. (Whose isn’t these days?) Enter Sheila Heti and Misha Glouberman. They can document your very essence. The Paris Review has an excerpt from The Chairs Are Where the People Go.
An exhibition of the authorportraits of Swedish artist Carl Köhler, whose extraordinary portraits of artists and intellectuals we’ve displayed here at The Millions, opens in Toronto on January 11th at the Robarts Library of the University of Toronto, 130 St. George St. For more information call 416-971-3131.
New this week: The Woman Upstairs by Claire Messud, A Guide to Being Born by Ramona Ausubel, NOS4A2 by Joe Hill, and three newly translated books from by Icelandic author Sjón: The Blue Fox, The Whispering Muse, and From the Mouth of the Whale. New in paperback is The Yellow Birds by Kevin Powers.