In true Seinfeldian fashion, Arthur Martine, the Victorian writer behind Martine’s Handbook of Etiquette, drew up a detailed taxonomy of the various species of bore. These include the Loud Talker, who “silences a whole party by his sole power of lungs;” the Malaprop, who masters the art of inappropriate conversation; and the Life-Sharer, who may be familiar to the Facebook addicts of today.
The state funds for California’s libraries have been dwindling for the better part of a decade, but now they face total elimination. Put into concrete terms: in the 1999-2000 fiscal year, libraries received $56.8 million from the state; in the 2008-2009 fiscal year, that number was down to $12.9 million; now they’ll receive $0.
Want to learn filmmaking from a self-proclaimed “soldier of cinema”? Then sign up for a class with Werner Herzog. The enigmatic director, whose films include Grizzly Man and Fitzcarraldo, announced he’ll be teaching a course in the summer through the online provider Masterclass.
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
John Jeremiah Sullivan is working on abandoning the “slightly exaggerated pastiche of himself as narrator” that’s driven most of his essays so far.
“I grew up hearing my father digging into words for images that will stretch the limits of life for my siblings and me. In my father’s mouth, bitter, rigid words become sweet and elastic like taffy candy. His poetry shields us from the poverty of our lives.” Kao Kalia Yang for The Literary Hub on learning to understand her blue-collar father as a legitimate literary force.