The organizers of this year’s O, Miami Poetry Festival are holding an online poetry contest entitled “That’s So Miami.” To participate, submit a poem that begins or ends with the phrase, “that’s so Miami.” Entries – which can be culled from both Twitter and Instagram – are accepted in English and Spanish (duh), and submissions are posted daily on the organization’s new Tumblr. For a rundown of the festival’s other April events, check out their Facebook page.
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
“Here is the trouble with looking for ourselves in the writers whose works we admire, at least if we are proposing to be their biographers. For if we are in search of ourselves, or in this case our own troubled teenaged selves roaming New York, then we are apt to downplay those parts of the life that don’t correspond with that need for recognition.” Anne Boyd Rioux writes about biography and the distance, good or bad, between subject and biographer for the Los Angeles Review of Books.
“As time passed, I realized the Philip Roth I’d known before the two documentaries we ended up doing was in the process of transformation. The Roth I’d known for many years was an obsessively committed writer who, in the terrifying limbo between one book and another, could fall victim to a storm of depression or be spent to the point of looking as if his blood had been drained from his veins… This Philip Roth seemed to be discovering new, unexpected pleasures in life, like spending time in bed reading in the morning or inviting friends to his home to share with him the meals prepared each night by his newly hired, young and lovely cook.” Livia Manera Sambuy writes about her friendship with Philip Roth for The Believer. Pair with Gabriel Roth‘s recent guide to “everything you need to know” about the elder Roth’s oeuvre.
In an essay for TriQuarterly Lia Purpura writes about Virginia Woolf‘s “moments of being” and their importance for contemporary writing. “Woolf’s particular flavor of modernism is rooted in the drive to gather, hold, and deepen moments, to make the shimmering moment of perception the base upon which “reality” rests. Her sensibility honors the fleeting, fragile instances of a person’s life.”