“The idea was that the words would form a meaningful haiku – or ‘haik-ewe’ as Valerie called it – however they were viewed on the backs of the grazing sheep.”
Sheepoetry
The Perks of Being A Wallflower
“Eleven years later, the Atlantic Monthly editor, Thomas Wentworth Higginson, made a similar request to an obscure, retiring poet named Emily Dickinson who had written a letter asking if her verses ‘breathed.’ Her response was much like Melville’s, if typically elliptical: ‘Could you believe me—without? I had no portrait, now, but am small, like the Wren, and my Hair is bold, like the Chestnut Bur—and my eyes, like the Sherry in the Glass, that the Guest leaves—Would this do just as well?'” The age-old problem: how writers deal with publicity.
Known To Everyone
“I took a ride (on an elephant); but it was by request—I did not ask for it, and didn’t want it; but I took it, because otherwise they would have thought I was afraid, which I was.” Mark Twain, the consummate American, travelled the world in style–despite having almost no money. Allow me to direct your attention to this complementary Millions piece on Twain and the art of travel writing.
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Unheralded Greats
Taylor Antrim takes a page out of Roxane Gay’s book and “goes in search of great 2011 fiction unjustly ignored by The New York Times.”
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Writing While Ill
“[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con.” In Electric Literature‘s “Blunt Instrument” column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
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And She’s A Mary Ann
“You heard me: I said, Ann M. Martin is queeeeer.” A longtime Baby-Sitter’s Club fan gets her mind blown. Pair with this celebration of Martin’s oeuvre.
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R.I.P J.D. Salinger
Catcher in the Rye author J.D. Salinger has died at 91. Update: The New Yorker has linked to twelve of Salinger’s stories available to subscribers online.
Black on all Sides
“The company has forged a chain uncommon in mainstream publishing: an unbroken line of black women, from the novel’s protagonist, via the author, to the editor, to the art director who created the cover art (featuring a black woman).” Meet the trio of Black women at Kensington Publishing who are changing (modernizing) the traditional lily white romance genre.