"War isn’t a destination, nor is it a topic to be mined for scribes with nothing else to say ... War can be a subject, like any other, and it can be written about well, and it can be written about poorly." Here is Matt Gallagher, author of the Iraq-war novel Youngblood, in an interview with J.T. Price at Bomb. Last week, Gallagher interviewed another great young novelist/veteran (and winner of the 2014 National Book Award in fiction), Phil Klay.
Meg Wolitzer's The Interestings has been a Millions favorite, so we're excited to hear about her next book, Belzhar, a young adult novel inspired by Sylvia Plath. The book comes out on September 30 and follows a 16-year-old grieving at a boarding school for fragile teenagers, where she and her classmates discover an alternate world. Wolitzer spoke to NPR about why she was drawn to YA. "Much of what adolescents feel seems set in relief, and much of what they experience is happening to them for the first time."
Jonah Lehrer has resigned from his staff position at the New Yorker, after Tablet Magazine revealed he had fabricated quotes--from Bob Dylan, no less!--in his bestseller Imagine: How Creativity Works, which since has been pulled from the market. Michael C. Moynihan, the journalist who discovered the deception, was interviewed by the Observer, saying he felt "horrible" watching vitriolic reactions pour in. Previously the book saw critique for its loose science in both The New Republic and The Millions.
"There’s more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date," Philip Roth said in an interview with Cynthia Haven for Stanford's The Book Haven. Besides his retirement from writing, Roth also discussed why he doesn't consider himself an American-Jewish writer and his book The Ghost Writer. For more Roth, read our essay on lessons you can learn from his work.
Here’s to wishing you a spooky Halloween with this piece by Micah Nathan of The Paris Review. Nathan hearkens back to his boyhood–a much simpler time of casual demon-summoning, Satanism, and the occult. This essay by our own Anne K. Yoder will satisfy any lingering desire for the four Humors.
Over at Hyperallergic, art, activism, and literature collide in When We Fight, We Win!: Twenty-First-Century Social Movements and the Activists That Are Transforming Our World by Greg Jobin-Leeds and AgitArte. Pair with our own Bill Morris’s review of The Black Power Mixtape 1967-1975.