In 1862, Fyodor Dostoevsky met Charles Dickens… Or did he? In a thoroughly researched piece for the Times Literary Supplement, Eric Naiman tells the thrilling story of how one – or two? or several? – hoaxers managed to dupe biographers, New York Times reviewers, London Review of Books editors as well as readers of numerous scholarly publications. Long story short: be wary of ostentatious “nipple” references.
“Only two people?”
Gothic Roots
“If Gothic literature had a family tree, its twisted gnarled branches chock-full of imperiled, swooning heroines and mysterious monks, with ghosts who sit light on the branches, and Frankenstein’s monster who sits heavy, with troops of dwarves, and winking nuns, and stunted, mostly nonflammable babies, at its base would sit Horace Walpole’s The Castle of Otranto.” Carrie Frye writes for Longreads about the history and personality behind the first Gothic novel, which turns 250 this year.
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Trailer for Packing for Mars by Mary Roach
Part 10: Space Hygiene: “Unfortunately, removing the helmet created a situation where the body odors were forced out of the neck of the pressure suit…” Check out this funny and artful trailer for Packing for Mars by Mary Roach.
The Fall of “Man”
In The Age of The Crisis of Man, a new book by n + 1 co-founder and editor Mark Greif, the author examines the life and death of the concept of “man,” aka a unified humankind that could be said to suffer from particular conflicts. It was born in the thirties, with the rise of Fascism, but persisted for decades, eventually giving way to a more diversified view of humanity. In Tablet, Adam Kirsch dives into Greif’s arguments.
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“If there was ever a people that knew how to handle a hangover, surely it is we.”
John Banville looks at the “persistently grim cheerfulness” of the Irish people.
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Letters to a Young Writer
Over at the Story Prize blog, Year in Reading alumnus Colum McCann shares a letter of advice to writers starting their career. As he puts it, “A story begins long before its first word. It ends long after its last… [it] reveal[s] a truth that isn’t yet there.”