“Jo Freeman, a feminist writer and activist who worked with Firestone from the beginning, said at the memorial, ‘When I think back on Shulie’s contribution to the movement, I think of her as a shooting star. She flashed brightly across the midnight sky, and then she disappeared.'” At The New Yorker, Susan Faludi writes on the legacy of Shulamith Firestone.
Notes From the First Year
First Sentence
“I cannot help feeling, on being invited to contextualize my own fiction, that the least qualified person possible has been asked. It is more still: hesitance, dread, that as a blind man in a failing aircraft I have been offered the yoke. I imagine it is the same for other writers, for the very fact that you write a story, and not a critical essay, suggests that near everything you hope to say lies outside the bounds of explicit statement.” Despite all that, here’s an essay by Greg Jackson at Granta in which he attempts to contextualize his own fiction.
Finding the Words
At Louisiana Channel, Colm Tóibín discusses finding the perfect sentence to start your book. In honor of the Oscars, Bill Morris wrote about the adapted screenplay for Tóibín’s Brooklyn.
Shellacked Decorative Vegetables
Halloween might be over, but the season of freakishly large decorative gourds lives on. Here’s a fascinating essay from The Toast on how to raise enormous pumpkins–county fair, here we come.
AbeBooks’ Most Expensive
Online used book marketplace AbeBooks rounded up the most expensive books sold via its site in October. At the top is a collection of Scottish music from 1782 that went for $8,500. Also on the list are some collectible Tolkien and Hemingway. (Thanks, Laurie)
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