Mud Luscious Press — the outfit responsible for consistently gorgeous books like Mathias Svalina’s I Am A Very Productive Entrepreneur and Robert Kloss’s The Alligators of Abraham — is closing up shop. Go load up on their remaining inventory. You won’t be sorry.
Guillermo del Toro’s next film will bring us to Tralfamadore. He is adapting Kurt Vonnegut’s Slaughterhouse-Five with Charlie Kaufman writing the script. “I love the idea of the Tralfamadorians to be ‘unstuck in time,’ where everything is happening at the same time. And that’s what I want to do,” del Toro told The Daily Telegraph.
Lydia Millet’s most recent novel, Magnificence, is the third in a trilogy, and a reminder of what a significant body of work she’s been building over the last decade. The Point offers the best overview of that work you’re likely to find anywhere. Millet’s “equal parts” Ben Marcus and Jonathan Franzen, writes Tom Dibblee, “but really she’s her own thing.”
“They found, unsurprisingly, that blocked writers were unhappy. Symptoms of depression and anxiety, including increased self-criticism and reduced excitement and pride at work, were elevated in the blocked group; symptoms of obsessive-compulsive disorder, such as repetition, self-doubt, procrastination, and perfectionism, also appeared, as did feelings of helplessness and ‘aversion to solitude’—a major problem, since writing usually requires time alone.” On the causes of writer’s block.
This review of Paul Murray’s newest novel, The Mark and the Void, praises Murray for his biting, weapons-grade one-liners and calls it “the funniest book ever written about the international banking system.” Here’s a link to our own, particularly hilarious interview with Murray.
Tonight at Columbia: A conversation with Gary Shteyngart, author of The Russian Debutante’s Handbook, Absurdistan, and most recently Super Sad True Love Story. Moderated by McKenzie Wark, professor of media and cultural studies at The New School and author of Gamer Theory. “Rewiring the Real” at 6:30 P.M.