The kind folks at the PEN American Center recorded Colum McCann’s recent conversation with author and soccer ace Aleksandar Hemon. Listen to the pair discuss the Western distinction between fiction and non-fiction, and also the hypothetical merits of “watching a potato.”
Actress Mariel Hemingway, granddaughter of Ernest Hemingway, will be producing a film adaptation of A Moveable Feast, a memoir of Hemingway’s early years as a writer in Paris. The essays feature a colorful cast of literary characters, including F. Scott Fitzgerald, Ford Madox Ford, Gertrude Stein, and Alice B. Toklas.
I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
According to a recent survey, Danes are the happiest people in the world. This came as a surprise, writes Mathilde Walter Clark, to most of her fellow Scandinavians, who know very well the unhappier elements of their daily lives. The problem, she suggests, is that words like “happiness,” “ambition” and “contentment” have subtly different meanings in different languages — in other words, happiness in Denmark isn’t the same thing as happiness in America. You could also read our own Emily St. John Mandel’s review of the Danish writer Jonas T. Bengtsson’s A Fairy Tale.
Our own Janet Potter has teamed with Michael Shaub to launch The Book Report, an online weekly literary talk show. The first episode, which focuses on David Pearce‘s Red or Dead, is now available on YouTube. Pair their video with Mark Lane‘s Millions review of Pearce’s novel.
“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.